Tuned to ROAS

Return on ad spend is not profit

Storefronts, creative and media tuned to a number your CFO recognises.

What makes this sector hard

The problems that are specific to you.

01

A good ROAS can still lose money

Once you subtract cost of goods, shipping, payment charges and returns, plenty of profitable-looking campaigns are not. Very few brands report on the number after those.

02

Creative is the real media lever

Once targeting is broadly automated, the rate at which you can produce and test new creative sets your ceiling. Most brands can produce far too little.

03

The second order decides the business

Acquisition cost only makes sense against what a customer is worth over a year, and most D2C brands do not know that number.

Start with the arithmetic

Before the first campaign, we work out what one order is actually worth: selling price, cost of goods, shipping, payment charges, expected returns, and what a customer buys again in twelve months.

It is a dull hour and it is the most valuable one in the engagement, because it tells you the maximum you can pay to acquire a customer. Plenty of brands are running at a return on ad spend they are pleased with and a contribution margin that is negative.

If the arithmetic does not work, more media spend will not rescue it. We will tell you that before taking a retainer.

Then the two levers that matter

Creative volume. Targeting is largely the platform’s job now. What you still control is how many genuinely different ideas you can put in front of an audience each month. Our content studio produces them in-house, which is what keeps testing moving instead of waiting on a freelancer.

The storefront. Speed, product pages, cart, checkout, payment options and the mobile experience. Most brands buy traffic for months before fixing the page it lands on, which is the most expensive possible order of operations.

And then retention

The second order is where the margin lives. Email, WhatsApp and replenishment flows, set up once, quietly lowering your blended acquisition cost every month afterwards. See content and communication.

01

Unit economics before scale

We model contribution margin per order first. If the product cannot carry the acquisition cost, no amount of media buying fixes it and we will say so on the first call.

02

A creative production line

A steady cadence of new concepts, hooks and formats produced in-house, so testing never stalls waiting for assets.

03

A storefront built to convert

Page speed, product pages, cart and checkout treated as the conversion work they are, on Shopify or a custom build.

04

Retention as a channel

Email, WhatsApp and replenishment flows that make the second and third order cheap.

Questions we get asked

Before you book the call.

Shopify for the large majority of retail businesses — the ecosystem and the speed to launch outweigh the licence cost. Custom becomes worth it when catalogue logic, pricing rules or logistics integration genuinely do not fit, which is less often than people expect.

As a working rule, several distinct concepts a month, each with variations — not one hero film a quarter. The limiting factor for most brands is production capacity, which is exactly why we keep the studio in-house.

The wrong question. The right one is contribution margin after cost of goods, shipping, payment fees and returns, measured against customer lifetime value. A 2.5x that nets positive beats a 4x on a product that cannot carry its shipping.

Yes, and most do. The aim is usually to keep marketplaces for discovery while making your own store the cheaper, stickier channel for repeat buyers.

Let’s talk

We already know your terrain.

Book a no-obligation discovery call. We’ll tell you honestly what we’d do first — you’ll leave with value either way.